“Like so many earlier than me, I went into the woods seeking journey,” writes Anna Beeke, the photographer whose Sylvania collection investigates the eerie, cinematic atmosphere of US woodlands in locations akin to Washington state. She captures woodcutters who may need stepped out of a portray by Pieter Bruegel the Elder, the rib-like ruins of a felled trunk, and gothic ferns thriving amid dense growths of purple cedar and western hemlock. Her title hints on the myriad fables of shadowy or enchanted forests. “They’ve at all times been locations the place people have ventured past the structured limits of civilisation,” she says.
On this picture, Beeke delivers a cross-section of nature at work, that includes the Tree of Life, an enormous spruce that has turn into a landmark at Kalaloch on the Pacific shoreline in Washington state. Unfeasibly, its roots span two banks of a cliff. The photograph is a fairy-tale composition of muted natural hues punctuated by shiny pops of humanity as two kids discover the perimeters of the bluff.
Beeke’s collection is featured in Looking at Trees: New photography of trees, forests & woodlands by Sophie Howarth, a survey of 26 artists’ work capturing arboreal treasures in Iceland, Germany, Brazil, Australia and extra. “Impressed by science, folklore and mythology, these photographers lure us away from the pressures of recent life, again right into a timeless world the place nature envelops and absorbs us,” writes Howarth in her introduction. The kids in Beeke’s shot, winding their means by way of the unusual, coastal cover, definitely appear absorbed and enveloped. Fortunately so.
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