When he got here onto Se7en, I had vastly rewritten it for [director] Jeremiah Chechick who was connected earlier than David. The story that is out there’s a true story—that they got here to David with Se7en they usually by chance gave him the primary draft. When he was speaking to them later down the road, he stated, “blah, blah, blah, head within the field.” And so they stated, “Oh, wait, wait, wait, wait, wait—we despatched you the fallacious one.” He insisted on going again to the primary draft.
Once I sat down with him and met him, I type of dutifully received my little composition e book out—it is bizarre, however I do write in John Doe composition books. And I used to be type of licking my pencil and preparing and he was similar to, No, no—go forward and shut the pocket book, and let’s simply discuss in regards to the script from the very starting.
I hold ready for the second the place I write a script and he simply reads it and he goes, “Oh my God, that is so disappointing. I hate it.”
After he gave you the beats of The Killer, did you return to the unique materials in any respect?
I did revisit the comics. The most important factor for me in adapting the literal type of voice that is within the comics is: I used to be involved about not making the Killer seem to be he was doing this morally reprehensible stuff, however on the identical time in his thoughts feeling morally superior. I learn The Stranger, the Camus e book. Quite a lot of Nietzsche. There’s an alien type of high quality, for my part, to the Killer, the place he is virtually type of in a spaceship hovering low. A properly edited, stripped-down-by-Fincher model of that exists early on, when he is saying, “It is not that I really feel superior, I simply really feel aside.” The [character description] within the script was type of, “If you happen to’re actually paying consideration, you may see that he by no means blinks, however who would take note of that?” And I simply love that they, and particularly Fassbender, ran with that.
What was your course of in writing the voiceover monologue that opens the movie?
Hopefully the primary act, or the primary 20 or so minutes, goes to do one thing that I actually wish to attempt to do, which is subvert the viewers’s expectations. The method was to carefully present course of. At a sure level, Steven Soderbergh weighed in on one of many cuts, whereas Fincher was processing and reorganizing some issues. And one of many outcomes of him weighing in on it was [Fincher] transferring the road “If you cannot stand boredom, then this is not the give you the results you want.” It was a pleasant strategy to type of warn the viewers like, This ain’t going to begin at a breakneck tempo. I like making the viewers expertise the identical type of tedium and meticulousness that this particular person doing this job would wish to have acquired.
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