Opinion

‘Elephant Man’ at SIFF is hard to watch. Here’s why it’s necessary

This 12 months’s Seattle Movie Competition has many fabulous applications, and one in every of 2023’s crown jewels is the retrospective “Desires and Nightmares: The Movies of David Lynch.” Among the many movies is “The Elephant Man” from 1980, which might be one in every of Lynch’s saddest but most impactful in his 41-title repertoire.

“The Elephant Man” resembles the disturbing somberness of Lynch’s 1977 movie “Eraserhead.” “Elephant Man” is in black-and-white and there’s a distinct and uncomfortable lack of music or any background noise, providing you with the sensation of watching in outer house.

Anthony Hopkins performs Dr. Frederick Treves, who purchases Joseph Merrick (John Harm) from a sideshow after Harm’s character, often known as The Elephant Man, is badly overwhelmed. The movie relies on the true story of Merrick, a British man born in 1862 with disfiguring growths throughout his face and physique.

“The Elephant Man” resembles the disturbing somberness of 1977’s “Eraserhead.” The movie is black-and-white and there’s a distinct and uncomfortable lack of music or any background noise, providing you with the sensation of watching in outer house.

Merrick suffered abuse and cruelty most of his quick life due to his illness. I gained’t deceive you; the movie is a tough one to observe. But when it weren’t based mostly on an actual human’s story, I may not be so adamant that individuals watch it. The movie has worth nonetheless.

Whereas the central focus is incapacity, I can’t assist however suppose that Lynch units it up as extra of a kaleidoscope that splinters the movie into different, comparable problems with distinction and the psychology of prejudice. The educational idea of “othering” is a posh set of theories present throughout philosophy, postcolonial concept, and race and gender concept. It defines “the opposite” (suppose folks of coloration, folks with disabilities, LGBTQ+ folks, immigrants; any oppressed group), by negation to a dominant group, or treating the dominant group as the usual.

The film asks us, what’s the fashionable model of the freak present? I might argue that actuality tv might be one of many greatest types of this type of “othering,” from reveals like “My 600 Pound Life” to “Maury” and “The Howard Stern Present.” Even an Oscar-winning film like “The Whale” reveals objects of human curiosity haven’t modified, however merely modified form to maintain up with sensibilities of the occasions. On this planet of literature, for instance, authors who’re “othered” outdoors of the elite literati sometimes are boxed into othering themselves simply to parlay their creativity right into a profession. Examples: Black authors informed to put in writing solely bout the so-called “Black expertise,” immigrant/refugee writers solely writing concerning the “immigrant/refugee expertise,” and LGBTQ+ writers solely being given a platform to put in writing concerning the queer or trans “expertise.” In the meantime, authors and writers of the dominant group and with extra privilege — largely authors who’re cisgender, heterosexual, male, white, and rich are inherently checked out as authorities on something and every thing. Nobody is fallacious for capitalizing on the few benefits one may need beneath a system that can all the time see you as an outsider. John Merrick was not fallacious for selecting a life in a sideshow and for utilizing the few alternatives he had. Certainly, that’s what made him such an adaptive survivor and — though he was up towards troublesome circumstances a human with company. Allow us to not erase him by way of our must establish him largely by his victimization.  

Although this movie will be considered as problematic, I do consider it higher opens a dialogue about how folks with disabilities are confronted with having to amplify their “otherness” with a purpose to survive, and that it will be significant we not body that alternative as solely being about tragedy and as a substitute shift the narrative to one in every of survivorship. “The Elephant Man” and the context of the rise and fall in reputation of so referred to as “freak reveals,” we see the necessity to proceed to carry society’s toes to the hearth across the oppression of individuals with disabilities with out judging the selections of those people.

The Elephant Man is enjoying as part of “Desires and Nightmares: The Movies of David Lynch” at SIFF Cinema Egyptian on Sunday and Wednesday. Information: siff.net


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